The Ethical Stakes of Style: Crosshatching and Testimony in Joe Sacco’s Comics. Abstract.

Documenting Trauma: Comics and the Politics of Memory A Symposium hosted by the TORCH Network University of Oxford, 22.06.2017 Joe Sacco’s reportage has often been studied in ethical frameworks, as his comics have shed light on both the background of journalistic work and on the creation of narratives in the comics form. Sacco’s comics contribute to human rights discourse and the narratives have played important … Continue reading The Ethical Stakes of Style: Crosshatching and Testimony in Joe Sacco’s Comics. Abstract.

Comics and Haptic Reading: Bodies in Joe Sacco’s The Great War – Abstract

Birth, Death, and Rebirth: (Re-)Generation as Text 8–10 June, 2017 University of Bucharest    The starting point of my presentation is the realization that comics is a medium of embodiment, and comics creation, as well as comics reading, are constituted by bodily performances of the artists and readers. On the example of Sacco’s unusual graphic narrative, The Great War (2013), which narrates one of the … Continue reading Comics and Haptic Reading: Bodies in Joe Sacco’s The Great War – Abstract