Drawing and Transforming the Body in Ken Dahl’s Monsters – Abstract for Transitions 9

This is my abstract for Transitions 9: New Directions in Comics Studies 2021 (Transitions was canceled in 2020 but will take place online this year – 2021. There will be live sketchnoting during the panels! I’ll speak on 8 April about a chapter of my book that I’ve not talked about at any conferences before. … More Drawing and Transforming the Body in Ken Dahl’s Monsters – Abstract for Transitions 9

Lines, Erasure, Affect: Reading Dominique Goblet — Comics Forum, Leeds, 7-8 Nov 2019

Here is the abstract of the presentation I am going to give at the Comics and Art and Design conference of the Comics Forum in Leeds, 7-8 November 2019. Cannot wait! This conference is always so inspiring. The starting point of my investigation is that comics is a drawn medium, and that this fact has … More Lines, Erasure, Affect: Reading Dominique Goblet — Comics Forum, Leeds, 7-8 Nov 2019

Encapsulations: Critical Comics Studies – Editorial Board

University of Nebraska Press has launched its comics studies series with a long-needed focus: “By looking at understudied and overlooked texts, artists, and publishers, Encapsulations facilitates a move away from the same “big” and oft-examined texts. Instead the series uses more diverse case studies to explore new and existing critical theories in tune with an … More Encapsulations: Critical Comics Studies – Editorial Board

“Postmortemistical” Look: The Memory of Things and the Traces of Personhood in Roz Chast and Ben Katchor — Abstract

Here is the abstract of the paper I’m going to present at the Ninth International Graphic Novel and Comics Conference, Retro! Time, Memory, Nostalgia, @Bournemouth University, UK, 27-29 June 2018 “Postmortemistical” Look: The Memory of Things and the Traces of Personhood in Roz Chast and Ben Katchor The paper investigates the ways personal relationships and memories are organized … More “Postmortemistical” Look: The Memory of Things and the Traces of Personhood in Roz Chast and Ben Katchor — Abstract