Encapsulations: Critical Comics Studies – Editorial Board

University of Nebraska Press has launched its comics studies series with a long-needed focus: “By looking at understudied and overlooked texts, artists, and publishers, Encapsulations facilitates a move away from the same “big” and oft-examined texts. Instead the series uses more diverse case studies to explore new and existing critical theories in tune with an interdisciplinary, intersectional, and global approach to comics scholarship.” I am … Continue reading Encapsulations: Critical Comics Studies – Editorial Board

2018 – My publications

2018: The year most of my projects bloomed, when I finished my PhD, when I reworked my PhD thesis into a book (added 2 chapters, took one away) (to be published in 2020). In terms of non-academic achievements, I organized (almost alone) the comics festival in May, co-curated a major exhibition on comics in the National Széchényi Library, opened Hungary’s first community comics library. Basically … Continue reading 2018 – My publications

Lynda Takes the Line for A Walk — Abstract for the Transitions 8 Conference

Lynda Takes the Line for A Walk: Attitudes and Philosophies of Drawing in Lynda Barry’s Comics Transitions 8, 10 November, Birkbeck, University of London (detailed program) Lynda Barry’s What It Is (2008), Picture This (2009), and Syllabus (2014) are not simply educational or self-help books on making comics, they reveal Barry’s theory about drawing and about creation. In my presentation I examine what Barry’s explanatory … Continue reading Lynda Takes the Line for A Walk — Abstract for the Transitions 8 Conference

My review of Simon Grennan’s A Theory of Narrative Drawing is out in INKS

To reveiw Simon’s Grennan book has been my greatest accomplishment recently. It is a book that you either put away instantly or you immense yourself into it by taking notes and by constantly using google. I elaborate in detail why Simon’s model and demonstration of narrative drawing is indeed seminal, and I also say that the book demands maybe too much from the reader. On … Continue reading My review of Simon Grennan’s A Theory of Narrative Drawing is out in INKS

Edited collection has been published

I am really happy to share this piece of news with you: “Turning the Page – Gendered Identities in Contemporary Literary and Visual Cultures” has been published. It is based on a 2-day international conference for young researchers held in 2014 at ELTE Budapest. My friend Kata Gyuris and I organized this conference, and the newly published book has been edited by Kata, Dóra Vecsernyés and me. … Continue reading Edited collection has been published

New Publication in Hungarian

I am very enthusiastic about comics scholarship in Hungary: in the last two years so many things happened! There were two comics conferences, and we have finally started to build a network of university people and critics who are not afraid of comics. I have decided that I’ll publish more in my native language, and I was really happy when out of the blue I … Continue reading New Publication in Hungarian

Absztrakt – Képi testet öltés és önreprezentáció önéletrajzi képregényekben

Oravecz Gergely Blosszájáról fogok beszélni Kolozsváron. Arról, hogy a vonal nem csak esztétikai tényező, de a narratívában is komoly szerepe van. Sok példával. A konferencia neve: Tendenciák a kortárs magyar képregényben és képregénykutatásban, időpontja: május 6–7. Képi testet öltés és önreprezentáció önéletrajzi képregényekben Az előadás Oravecz Gergely Blossza c. stripsorozatában vizsgálja az alkotó önreprezentációs stratégiáit és azt, hogy ezek árnyalásához az alkotó kézjegyét és testi lenyomatát … Continue reading Absztrakt – Képi testet öltés és önreprezentáció önéletrajzi képregényekben